You know how much I jump for colour, but wearing black and gold was appropriate for the Black Lives Matter Toronto's Love is the Cure fundraiser & show. It was organized on behalf of the Watah Theatre, to secure a space that has nurtured the artistry of hundreds of artists across race, gender, class and orientation under the artistic direction of world renowned black genius D'bi Young Anitafrika. When I arrived and 👁saw so many people wearing both black and gold, I knew that

The air was electric. The mystery was mesmerizing as models made their entrance. Their glimmer stained the air; sewn mystic revelations unfolded in fabrics. And I was there, entranced as I painted. I had one eye on my canvas and the other eye on the runway. Let me gush about all of the designers for a moment. Smooth as satin, deep as night. Tell me this shot isn't absolutely GORGEOUS. Pictured is one of the stunning models, who just happened to be the daughter of the designe

In growing up, we claim our potential. Sooner or later, it happens to all of us. A group of us Artists recorded our own versions of this process, and it will be on display at Daniels Spectrum for you to see! I'm so grateful to be a part of this. This exhibit is curated by Janelle Newbold I get so happy when I see Amoye. 💛 This is from the opening night, in front of a few of my pieces. "NOLA Gentleman", "JAH, A King", "Every Rose needs the Rain Sometimes", "Tiffany" and "Wand